(baca juga lagu barat yang lagi hits saat ini)ĭi bawah ini kami tampilkan 200+ kumpulan lagu tahun 2000an terpopuler yang enak didengar mulai tahun 2000 sampai tahun 2009, diurutkan sesuai abjad penyanyi atau band-nya.Īkon feat Colby O’Donis & Kardinal OffishallĬonfessions of a Broken Heart (Daughter to Father) Lagu-lagu tersebut masih banyak diputar sampai sekarang. Meski begitu banyak lagu hits 2000an yang masih terkenal sampai sekarang, contohnya seperti Umbrella (Rihanna), Fix You (Coldplay), Dear God (Avenged Sevenfold), Numb (Linkin Park), Seven Nation Army (The White Stripes), dan I’m Yours (Jason Mraz).
Era 2000an sendiri bisa dikatakan berakhir di tahun 2009, karena setelah itu masuk era 2010an (2010-2019).
Secara umum, industri musik di era 2000an merupakan kontinuitas dari lagu tahun 90an di era sebelumnya yang dipenuhi lagu punk rock, grunge, teen pop dan country pop. Banyak lagu alternative rock hits yang terkenal secara global yang mereka nyanyikan yang dikenal luas oleh penggemar musik. Sementara itu juga banyak band rock barat 2000an yang populer, misalnya seperti Linkin Park, Coldplay, Muse, Green Day, Arctic Monkeys, dan The Strokes. Kita bisa melihat ada banyak musisi dan penyanyi solo terkenal yang sedang naik daun sebut saja seperti Rihanna, Beyonce, Alicia Keys dan Avril Lavigne dari kategori penyanyi wanita, serta Eminem, Michael Buble, Jason Mraz dan Jay-Z dari kategori penyanyi dan rapper pria. Mulai dari tahun 2000 sampai 2009, sederet lagu barat terbaik dirilis oleh para penyanyi dan band internasional.ĭi era 2000an, industri musik modern terus berkembang. It is also of interest to researchers investigating the role of music in identity formation and nation-building more widely.Daftar lagu barat tahun 2000an – Apa saja lagu lagu tahun 2000an terpopuler yang enak didengar? Era 2000an memang dipenuhi banyak lagu barat hits terkenal, baik yang bergenre pop, rock, R&B atau hip hop. Lagu seriosa lost popularity as popular music infiltrated Indonesia in the 1970s, but it remains an iconic yet understudied aspect of the nationalistic agenda in Indonesia. The case studies of selected songs reflected continuity and change in musical style and over time. This book is of interest to scholars studying the intersection between history, politics, identity, arts and cultural studies in Indonesia. The result was the development of classical style of singing and the cultivation of a patriotic collection of music during the Guided Democracy period (1959–1965), which peaked at the height of the Konfrontasi (1963–1966). Emulating the European art song, the genre was adapted to compose songs with the purpose of promoting a strengthened collective Indonesian identity, fostered by a group of musicians who functioned as gatekeepers, monitoring and devising various mechanisms for songs to conform to the propagandistic needs of the Indonesian government at the time.
Little research has been done to investigate how Indonesian music contributed to nation-building during Indonesia’s immediate post-colonial period. It also reveals the very significant role played by Radio Republik Indonesia in the genre’s development and dissemination. The author reveals how the genre was shaped to fit state ideologies and agendas in the Sukarno and Soeharto eras. This book charts the growth of the Indonesian nationalistic musical genre of lagu seriosa in relation to the archipelago's history in the 1950s and 1960s, examining how folk songs were implemented as a valuable tool for promoting government propaganda.